“MOTHER” JONES
BY WILLIAM MAILLY
[Part I of III]
“Mother” Jones has been compared to Joan of Arc, but she is more than that.
The French maid derived her inspiration from the mystical creations of a brain inflamed by religious ecstasy. She was the slave of her own imagination. She fought for the “divine right of kings,” dying a victorious sacrifice to a cause which, dominant in her day, will soon cease to disfigure the world. Her rightful place as the fanatical representative of medieval mummery has already been assigned her.
But “Mother” Jones absorbs inspiration from living men and women; their hopes and fears, their scant joys and abundant sorrows, are hers also to laugh with and to weep over. She deals with things that are, to fashion the better things that will be. And her cause is the one that will release mankind from material subserviency and mental obliquity, to finally rejuvenate and glorify the world.
In this only are they alike: John of Arc was peculiarly the product of the material conditions of her time, just as “Mother” Jones is of the conditions existing to-day. Each would have been impossible at any other period. As Joan of Arc typified the superstition and mental darkness of the people who hailed and followed her as one gifted with supernatural power, so “Mother” Jones is the embodiment of the new spiritual concept and clearer mentality characteristic of the awakening working class of our day. She is the incarnation of the spirit of revolt against modern industrial conditions—the spirit which finds fullest expression in the world-wide Socialist movement.
For “Mother” Jones is, above and beyond all, one of the working class. She is flesh of their flesh, blood of their blood. She comes of them, has lived their lives, and, if necessary, would die to make their lives happier and better. She loves the workers with a passionate love stronger than the love of life itself. Her advent marks the stage of their progress towards emancipation.
It is the recognition, unconscious perhaps, of this affinity with them that constitutes the real source of her strength with the working people. Instinctively they feel she is one of them. When she speaks they listen to one of their own kind. Thus she becomes a veritable magnet that draws them together, ofttimes in spite of themselves.
For “Mother” Jones is no orator, in the technical sense of the term. Her rhetoric might be more rounded, her phrases more polished, and even her voice gentler than years of indiscriminate speaking, in and out of doors, have left it. But if they were, she would probably be less successful in her work. Her apparent weaknesses are really aids, rather than hindrances. Her language is plain, her illustrations crude but vivid, and she has a facile wit. And her voice is the more effectual because it is not sweet nor silvery, but rather harsh at times. Nevertheless, I have known that voice to arouse working men to frenzy and again soften them into tears. It is the soul that speaks.
So the working people understand and trust her. Only the demagogue or shyster among them fear her keen eye and ready tongue. She has the faculty of ferreting out such as these, and sooner or later they feel it. She is seldom deceived in her judgment of men or women. Absolutely sincere herself, she quickly detects insincerity in others. She is as impatient of hypocrisy as she is free from it. Her face tells its own story.
Continue reading “Hellraisers Journal: From The Socialist Spirit: “Mother Jones” by William Mailly, Part I: Working Class Joan of Arc” →
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What the workingmen of the country are profoundly interested in is the private ownership of the means of production and distribution, the enslaving and degrading wage-system in which they toil for a pittance at the pleasure of their masters and are bludgeoned, jailed or shot when they protest—this is the central, controlling, vital issue of the hour, and neither of the old party platforms has a word or even a hint about it.